Keywords: theatre, epidemics, history, plague, Black Death, AIDS Theatre of Epidemics ![]() Mutually cancelled and mutually fed, the two share a fascinating history of fits and breaks. With these varying modes of intertwining in mind, I will attempt here to explore theatre in/as/of epidemics. For the theatre, disease spread has been an ever-looming threat to its very survival and existence, while it has also ambivalently served as a source of intrigue, a dramaturgical impetus and focus, as well as a “network of metaphors” to address and describe the stage world’s “own modes of corporeal interaction” (Garner 3). The present analysis is an attempt to trace this age-old link, one that plots a sliding spectrum running from dread and anxiety to fascination and influence. ![]() From the years of the Athenian plague, the Black Death outbreak, the yellow fever, polio and influenza epidemics to the more recent times of AIDS, Ebola, swine flu, bird flu, Zika, SARS and, of course, the newly emergent COVID-19 pandemic, theatre praxis has been both fueled and stalled by infectious disease outbreaks. Theatre and disease epidemics have always made an uneasy duet the theatrical event-physical, viral and communal at its roots-stands in an ambivalent relationship with what essentially both mirrors and cancels its working logics. Antonin Artaud, The Theatre and Its Double HFS clients enjoy state-of-the-art warehousing, real-time access to critical business data, accounts receivable management and collection, and unparalleled customer service.First of all we must recognize that the theatre, like the plague, is a delirium and is communicative. HFS provides print and digital distribution for a distinguished list of university presses and nonprofit institutions. MUSE delivers outstanding results to the scholarly community by maximizing revenues for publishers, providing value to libraries, and enabling access for scholars worldwide. Project MUSE is a leading provider of digital humanities and social sciences content, providing access to journal and book content from nearly 300 publishers. With warehouses on three continents, worldwide sales representation, and a robust digital publishing program, the Books Division connects Hopkins authors to scholars, experts, and educational and research institutions around the world. With critically acclaimed titles in history, science, higher education, consumer health, humanities, classics, and public health, the Books Division publishes 150 new books each year and maintains a backlist in excess of 3,000 titles. ![]() The division also manages membership services for more than 50 scholarly and professional associations and societies. The Journals Division publishes 85 journals in the arts and humanities, technology and medicine, higher education, history, political science, and library science. The Press is home to the largest journal publication program of any U.S.-based university press. One of the largest publishers in the United States, the Johns Hopkins University Press combines traditional books and journals publishing units with cutting-edge service divisions that sustain diversity and independence among nonprofit, scholarly publishers, societies, and associations.
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